rediscovering the strokes.

Every once and a while I come across things that I missed out on because I was Mormon. I say "because I was Mormon" but I really mean "because I had what I felt was a really good excuse to be uptight and obnoxious."  


Anyways, my high school boyfriend liked The Strokes. We spent a lot of time driving around in his Mom's black Pontiac Grand Prix listening to The Strokes really loud. It bugged the shit out of me. The distortion, at such a high volume, provoked comments like "I can't feel The Spirit with this music so loud."  I was very good at feeling The Spirit while making out or watching rated R movies, but god, that rock and roll!


I know. Seriously.  More than Mormonism, it was an early response to what would become a presumably lifelong problem of dating guys who lord their superior musical taste over me in this form of really annoying auditory patriarchy that makes me want to do irresponsible things like listen to Celine Dion.


So last night I was listening to The Strokes' new single with a friend (like that past boyfriend, another musically inclined, blonde haired, blue eyed guy- types, much?) and it hit me that in my Mormonness, in my resistance to my boyfriend's taste, I had missed out on something. And yep, it turns out that The Strokes are pretty good. Especially in relation to so much of the indie stuff that's out today-- they've got body, they've sincere, they've got buoyancy, and in light of a lot of the crap we were listening to at the turn of the century, they've proven pretty durable. 


This time around, I am the one turning the music up.